Apologies to Henry II Plantagenet. I’ve eleven days to decide a book cover between my two finalist. I’ve been stumped for two days and want to be done by this weekend to get published, soonest! A link to where you can take a look and vote is below. Opinions welcome.
They’re both so tanjed good! How to decide…?
Having recently published my flash-fiction that was the genesis of Cursed Hearts, the folks at Uprising Review were kind enough to follow on and request I submit to an interview. They seem a sound lot, so I do not think I’m violating Vox Day’s dictum about aiding the enemy.
The interview is here. After that, please look over the rest of their site: lots of good stories and commentary; bookmark them and come back often. I do.
I really would like an answer to the question I posited: what is it about horror, specifically, the notion of being eaten, that so fascinates people?
Self-publishing is a fantastic byproduct of our modern age. But, when someone approaches you and says, “hey, your stuff’s pretty good; can we publish it?” that’s wonderfully gratifying to a writer’s ego.
A year ago I came up with a short story called “It’s Just Business.” Today, it was published by Uprising Review.
That short was the genesis of the idea behind “Cursed Hearts.” Is it a coincidence that a week to the day when I finished writing CH, someone wants to publish the source material? Of course not:
There are no such things as coincidences!
Coming to around 1000 at my day-job, I had a moment of clarity: for the last seven months, all my waking moments had been filled with Chris, Cat, and Maya somewhere in my mind.
For the past 36 hours: all quiet.
The mental moment was this: I was in a darkened – but not dark – older church, alone. A place that was just recently host to a hundred, and soon will be again, but now preternatuary still.
At the end of T4L, I’d already seen the sequel. The close of EFL was a ‘LOL’ moment, as kids would type.
Alone, looking at three graves of those that have been, not a part of me, but me… well… it’s very quiet, now.
Don’t like it.
Here I go to the time and trouble to kill Anton, only to realize at lunch what a conundrum that makes: sure, Maya now knows the entire plan to try to save Chris & Cat, but that still leaves her at UCSD, miles from Miramar Air Station and at the mercy of their passive and active defenses – to say nothing of the ‘boss battle’ in the hanger. It’d be 5k words, minimum, to get through that.
Soooo… Anton doesn’t die. Maya (and her riders) tempts him, instead. Fits the theme of the story better, really. Anton accepts, calling for his bodyguard/driver, Manuel. He promises to get her through Security. I’m not sure if he’s scared for his own pampered, aristocratic life, or if he’s sincere. We’ll see.
Personally, if a demoness was resting her teeth on my neck, after killing my soldiers, and having leeched about 10% of my life out, so long as it wasn’t about my wife & kids, I’d talk a deal, too. Buy time. The horse might learn to sing.
Continue reading “Re: Animated”
I’m not in the ballpark when it comes to wrapping up CH, but I’m circling, looking for a parking spot. The three pages of handwritten notes I jotted down whilst drunk Sunday night guide me. The first half of part I is below the fold; the second half just now finished. Part II (as my wife gives me the ‘all-clear’ for tomorrow night when it comes to shuttling our daughters about) will see the death of a main character (finally!) and part III is a tiny, funny, romantic interlude before I try to swing the wreaking ball. We shall see.
I’m going to need a backhoe and a jackhammer to edit this thing.
Continue reading “Parking Lot”