I wanted a short story that involved Gary Hartmann, the protagonist of my latest novel “Worlds Without End,” piloting an airplane, as I mention that in the story. I lay down about half of this yesterday but was at a total standstill for most of today. Finally saw what happened to John Carell and wrote the rest down.
Worlds Without End
Going into a lovely early Fall weekend with little to do? Need something to while away time with the cool breeze and falling leaves? If you have not yet, download and read “The Fourth Law” and “Echoes of Family Lost” FOR FREE (while you can!) then go on to read the latest addition to my future history of Machine Civilization just now released! Cheers!
Promo! Free books!
In anticipation of the imminent release of my next novel, “Worlds Without End: A Sequel to Echoes of Family Lost,” I am making my first two novels available FOR FREE for a limited time!
Please see the links below to Smashwords for both “The Fourth Law” and “Echoes of Family Lost,” the introductory stories to my rapidly growing future-history of Machine Civilization. Enjoy!
Accelerationism
I have a small, local Author Fair coming up on 9 November. What if, I wondered, I not only had “Worlds Without End” finished – in less than ten day from now – but what if I also had “Crosses & Doublecrosses,” the third novel I began but set aside over three years ago as 1) I was not old enough to write it, and 2) it is a god-awful story I hated living in, complete? Is that possible?
I just completed the basic MS. Grammarly is chewing through it in the the background while I write this. I have reached out to my current cover designer to sound him on this; that will likely be the determining factor.
Still… I would be something: a novel and novella, 100k words, all commercially out in less than six weeks. Irrational deadline drive me; can I make this one?
Below the fold is the last thing I wrote for C&DC: its Prologue. There’s closure for you.
“We call it DeeKay, for short”
Finally! After banging my head against the six-month rock that was the discrepancy at the beginning of “Crosses & Doublecrosses” I had an idea as I stumbled, drunk, to bed last night. Deciphering my scrawl of a note this morning, I got it: Dunning-Kruger.
Dunning-Kruger is a two-sided coin of fail: on the obverse is the stupid thinking they are not: “anybody can do that!” said the idiot about to shoot an apple off of his son’s head. The converse is just as deadly: “since I’m a smart [profession], I’m smart at everything!” You’ve read before about my comments when Doctors of Pharmacy try to hang a picture. It’s a mess.
So in this case, two things happened: the DK is that Sylvia, having been the best and brightest in the room her whole life, figured that that what she had heard about the Breakup of the US just couldn’t be that bad for someone like her. The other, much more subtle thing – right at the end of this rewritten opening – is an allusion to one of the Machines we have never met, Ninon.
With this in mind I can FIX THE NOVELLA! With the help of a miracle I might have it done by Thanksgiving. If you like these updates and stories, please keep praying for my liver.
Little Details
Submitted WWE for my US Copyright this morning, making it my seventh. Also did the basics to set things up on KDP. The outstanding issue remains my copyeditor: I gave her this project in early June. She told me it would be in my hands 1 September… then nothing… I write her… snarky note back…
I’ve been very pleased to work with Monica for three years now without a single complaint. We all have RealLife issues, but after three months I get ghosted? After three years? WTF? In the meantime I re-ran WWE through Grammarly and farmed it out to a couple of proofreaders; that’s what I uploaded to KDP to order a physical proof. This time it will be a two-step process rather than one to catch most of the mistakes.
Having done all that, I am still faced with the time discrepancy of my novella, “Crosses & Doublecrosses.” As you can see, I did some basic work to find out where I stand: an error of what I am calling six months. Sylvia and Roberta Fernandez land at Dallas/Ft Worth Airport from Manila just as the Breakup is unfolding in the US. But they can’t; there is no way. For the rest of the 32k-word story to work they have to land six months later. But if they do, the opening, as written, makes no sense. Okay, I can re-write the opening. To what? If they were back in Manila watching the US tear itself to pieces, with easily over a million dead in those first six months, why in the hell would they come back? Sure, their family lives in Manhattan but just how long do you think that place will last with no food coming in and the lights going out for good after two weeks?
Why did they come back? I can swing the flight into Texas: they have two of maybe four functioning airports in the former US. Sylvia is a brilliant lawyer; does she think she’s going to drive to New York from there? Is she that stupid?
Questions, questions. I’m going to ask the wine bottle for answers.
Getting Graphic
With my copyeditor seeming to have some issues right now, I’m falling back on Grammarly and some proofreaders for the first edit of “Worlds Without End.” We’ll see how that pans out once I’ve a physical proof copy in my hands. Shame, really; Monica has been a source of strength to my works for four years now.
In the mean time, here’s the penultimate cover, from Jacoby Alley Designs. Professional, nimble, responsive. If any of my readers are self-publishing, please reach out to them for a talk and/or a quote. I’ve much to do: my deadline of 30 September is upon me.
