Writing. It’s a mental illness.

The group blog of Liberty’s Torch is well worth your time and well worth your follow. I think I may have wandered in there via Gab but I drink much and recall little. Anyway. The lead blogger there, Francis W. Porretto, had a post today about writing. Many of my heart-cockles were warmed by it. Rather than hijack his comment section, I hope to take excerpts of his essay, Post Partum, and add my observations.

“It’s a difficult period in any novelist’s life: he can’t go forward while his thoughts are wrapped around the book he just finished, and he can’t go backward with the revisions he’s already thought of until the others involved have registered their various contributions.”

That only briefly happened to me once, at the conclusion of “Echoes of Family Lost.” It was a follow-on to “The Fourth Law” and once complete I had no idea what to do next. Was I a writer? Did I have more stories to tell? Five years ago, I carved out a space here on WordPress and started throwing 800-1500 word-salad at the screen. Some stuck. I kept going. By the time I got a cover design for EoFL, I had met Chris and Kat, from “Cursed Hearts.” A romance/horror? WTF? I hate both of those! I shut up and wrote what they told me to.

“The first requirement of any storyteller is a mating between characters and crises: people upon whom to impose problems they must solve, or at least cope with. I developed a bunch of attractive character sketches almost by accident – I still wonder from time to time where those fictional figures really came from – and immediately found ways to cast them into conflict with one another.”

I take exception to almost every word in this. The first requirement of a storyteller is to tell stories. It is the height of arrogance to think you really know what the characters’ problems really are. As to where these people come from? Well, if you’ve read along these few years, you know how I have addressed that. Further, I’ve never made a single ‘character sketch;’ they walk onto the stage/screen and act. I just write what they show me.

“But characters don’t struggle with their problems and one another in some sort of white space separate from all else; at least, mine don’t. They need a place to be. I had to pick a place, or conceive of one, that would provide a suitable stage on which to act out their destinies.”

My parents married unemployed with no money. I didn’t grow up poor, but summer vacations were KOA’s and the grandparent’s place in Los Alamos, NM. I saw a lot of the US Mountain West. Later, I learned some of the Kentucky/Tennessee regions. All of that curled up in the back of my mind… and waited. When I needed to put ‘boots on the ground,’ I had scores of places to choose, right behind my eyes.

“Of the sixteen full-length novels I’ve written to date, only four have stayed completely outside Onteora County: three far-future science fiction novels and one magic-based high fantasy. The others have wound up there regardless of where they started or where I wanted to put them. Worse, the characters from my other Onteora Canon novels keep insinuating themselves into my new fictions.”

Knoxville, Tennessee is my game park as Onteora County is for him. I’m thinking about moving there in 5-10 years; Knoxville, that is. It will be easier for me than, say, St. Petersburg, Russia… Osaka, Japan… or Mars.

“And by jingo, it happened again! Characters from just about every other Onteora Canon novel started insisting that they belonged in this new one. I managed to fit a few new faces into the tale, but the “old Onteora crew” is there in force.”

This is where I decided to write this huge response. One character leading to another… As I mentioned, “Echoes…” was a natural continuation of “The Fourth Law.” “Cursed Hearts” lead to an unpublishable novella (I set it in someone else’s sandbox). But the two books of The Saga of Nichole 5? That main character shows up in many more books. Three year old Gary, holding little Henge’s hand at the end of “Echoes…” announces they want to be married. Ten years later, they have their own novel, “Worlds Without End.” Writing that, I met Gary’s kid sister, Faustina. Nine years later she puts together a private army and decided to attack the Chicom PLA garrison in Savannah, former Georgia. To-date, I’m finishing a damn trilogy about her, starting to come out in November. The father of the young women from “The Fourth Law” and “Echoes…”? He’s got a book. I’ve dozens of people like this, scattered all over my stories. Just because they do not have their own book today means nothing for next week.

“I don’t feel an urge to go back and “straighten it out.” I plan to publish it essentially as it is. There are a few elements I’ve decided need buttressing, but not to the extent of “de-hybridizing” the book as it stands. I look forward to hearing what its readers will think of it.”

While I cut my SF reading teeth as a kid on the hard science fiction of Niven and Pournelle, and my future history of Machine Civilization is bedrocked on sentient, sapient machines, I admit I take fantastical, Clarke’s-Third-Law leaps with the tech in my stories, so long as it tells the story. I read much, do research, make sure I’m talking about qubits in the right way… but if I need to use handwavium, that is what the story gets. I’m talking about people; some of whom are bags of bolts; some of whom are bags of blood. They are people.

“I can’t help but wonder how many more books I have in me. I’m old, and not in the best of health. But storytelling is an addiction, a tough one to shake. And I imagine that those damned Onteora characters, settings, and institutions will continue to have their way with me. At least, they have so far.”

I am a semi-professional alcoholic with chronic hypertension just turned fifty-four. Once the trilogy of Faustina’s “American Imperium” is released to the wild, I’m spending Winter 2021 recording audiobooks. I’ve no idea how long I have, either, but we have been given a priceless gift: to touch other’s minds with our ideas. I will keep at it until I die, later or sooner.

Having said all that to say this: thank you for your inspiration and your hard work, Mr. Porretto. As Empress Faustina cries to her legions, Deus vult!

One thought on “Writing. It’s a mental illness.

  1. — The first requirement of a storyteller is to tell stories. —

    But Clayton, if “story” isn’t “characters coping with crises,” what on earth could it be?

    I do invent the characters who appear in my novels first, usually via a short story…sometimes an extremely short story. That’s what I meant by a character sketch: just a brief fictional depiction of a character or characters with an imagined backstory. The problems they ought to face tend to emerge naturally from those early appearances. (Consider Evan’s appearance in this brief tale as an example.) But I’ll allow that if the first thing that comes to a writer’s mind is a particular problem that can afflict (or has afflicted) people, he can surely concoct his characters specifically to “fit” the problem he wants to write about. There’s no “right answer” to the thing.

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