Pirate Twins 6, again “Love Letter”

Things seem to be slowly returning to normal in the story. I already know things will be on the hop for the next installment, which I hope to have out later today.

Someone asked why I didn’t have my “Buy me a beer!” link for these. I mentioned this is an idea I’ve played with and posted before, and hanging out the tip jar for that just seemed crass.

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Pirate Twins, 1, again.

I admit is a kind of retread. That is, a story I’ve explored before. So, yes, is a Lenten cheat.

Once upon a time, I had a writing experiment. About five years ago. It was based upon two songs I’ll address in the next post. For those of a certain age, it’s obvious. I first thought it was about Machines. I was wrong.

The original form was muddled. I’m trying to tighten this up as something very, very, odd for me:

Allegory. Allegory of the Cold War in Europe.

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Lenten Writing

I’ve seen something for what might be my third and last installment for this Season. I didn’t like looking at it and I don’t like talking about it. But it is canonical to Machine Civilization, so there it is. This is not something I’ve written in Word and run through Grammarly; this is what I just saw and and posting. Expect errors.

My Lenten commitment was daily posting. But I hate what I’ve just seen.

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Tillamook, part 25. End.

Yes, you just missed another bunny with a pancake on its head.

There’s a lot going on here but this is a writing exercise, not a proper short story in an anthology. Someday, it likely shall be. I try to resolve the Russian-Nation political dilemma with Nichole, as Togame’s friend, placing herself and her ship – literally – in the middle. Rhun is dealt with off-screen then we have a lovely little domestic scene.

Fifty bucks says Nichole sleeps with Gil’s son in the next six months. Japanese morals are different. Machine morals? Good luck with that.

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Tillamook, part 24

The rest of the Haven’s backstory followed by a declaration three of them were off before dawn the next day on Nichole’s flying saucer. The last Part, #25, might be on the long side…

A fan on Gab once asked how do I balance or control “high-powered” characters such as Nichole 5. My reply was to write up some kind of foil – a person or group – who can oppose them. With nothing like that here, Model Five just proposed to take Gil and Mac’s first child.

I’ll admit, compared to the last time I saw Mackenzie d’Arcy in the last chapter of “Foes and Rivals,” she’s matured quite a bit.

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Tillamook, part 23

I call this “hiding exposition in plain sight.” Sometimes we all have to get the backstory out there. I prefer to have people walking & talking or maybe around a table with drinks. Then there’s this: a montage.

There will be a bit more tomorrow. Then we’re off to the final scene. Trying to wrap it all up by part #25.

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Tillamook, part 22

As I now have a pretty good idea how to wrap up this “short” story – hopefully this weekend – I do no want to let Nichole’s last line, below, turn into a huge drag of exposition. I’m thinking to paint with words; that is, just as you can cover a lot of ground in a montage in a movie or visual episode, I’ll talk about Gil and Mac talking about what happened to them after they escaped Portland.

This still leaves me about three weeks of Lenten content I’ll need to generate. Another short story? Something else? The world wonders.

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Tillamook, part 21

Thanks be to God: now I know why Nichole 5 is there. And that means I see the ending. This is a little exposition for those who are familiar with my other works, but as Gil points out, in a low-tech world, local news travels no faster than a man on horseback and international news not at all, unless you are a part of the ruling class.

I think I can write a little more after this post. I also have done the preliminary formatting and uploading of “A Texas Naval Affair,” only to find a surprising flaw with the spine of the cover. I’ve copied that to my designer and she should have it resolved later today. I just might make that Easter deadline!

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