Tillamook, part 25. End.

Yes, you just missed another bunny with a pancake on its head.

There’s a lot going on here but this is a writing exercise, not a proper short story in an anthology. Someday, it likely shall be. I try to resolve the Russian-Nation political dilemma with Nichole, as Togame’s friend, placing herself and her ship – literally – in the middle. Rhun is dealt with off-screen then we have a lovely little domestic scene.

Fifty bucks says Nichole sleeps with Gil’s son in the next six months. Japanese morals are different. Machine morals? Good luck with that.

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Continue reading “Tillamook, part 25. End.”

Tillamook, part 24

The rest of the Haven’s backstory followed by a declaration three of them were off before dawn the next day on Nichole’s flying saucer. The last Part, #25, might be on the long side…

A fan on Gab once asked how do I balance or control “high-powered” characters such as Nichole 5. My reply was to write up some kind of foil – a person or group – who can oppose them. With nothing like that here, Model Five just proposed to take Gil and Mac’s first child.

I’ll admit, compared to the last time I saw Mackenzie d’Arcy in the last chapter of “Foes and Rivals,” she’s matured quite a bit.

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Tillamook, part 23

I call this “hiding exposition in plain sight.” Sometimes we all have to get the backstory out there. I prefer to have people walking & talking or maybe around a table with drinks. Then there’s this: a montage.

There will be a bit more tomorrow. Then we’re off to the final scene. Trying to wrap it all up by part #25.

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Tillamook, part 22

As I now have a pretty good idea how to wrap up this “short” story – hopefully this weekend – I do no want to let Nichole’s last line, below, turn into a huge drag of exposition. I’m thinking to paint with words; that is, just as you can cover a lot of ground in a montage in a movie or visual episode, I’ll talk about Gil and Mac talking about what happened to them after they escaped Portland.

This still leaves me about three weeks of Lenten content I’ll need to generate. Another short story? Something else? The world wonders.

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Tillamook, part 21

Thanks be to God: now I know why Nichole 5 is there. And that means I see the ending. This is a little exposition for those who are familiar with my other works, but as Gil points out, in a low-tech world, local news travels no faster than a man on horseback and international news not at all, unless you are a part of the ruling class.

I think I can write a little more after this post. I also have done the preliminary formatting and uploading of “A Texas Naval Affair,” only to find a surprising flaw with the spine of the cover. I’ve copied that to my designer and she should have it resolved later today. I just might make that Easter deadline!

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“A Texas Naval Affair,” final cover

Barring one of you sharp-eyed readers finding something my drunk eyes through bifocals did not, this shall be the cover for my next novel (at 47,200 words, I’d call it a novella, but that’s me).

Yes, I am fully aware the back blurb is long. Per something I discussed in someone else’s podcast (which shows how lazy I am to not ferret out the link) is that a writer has about 0.25 seconds to catch and hold a potential reader’s attention as they scroll down on their phone. That is what the front is for. The back is me pulling up on the line once the hook is in their mouth. Given that this is a romance, girls and women will be expecting to know more about the cute couple on the front (not kidding: I’ve had two women say that to me already). If this were another military story, I’d write, “the character does cool stuff and shit blows up” and there’s my male reader base.

[Still working on “Tillamook” with Gil, Nichole, and Teresa. I bet Mackenzie is a little less than pleased that her husband’s former lover, who has not aged a day in twenty years, just showed up as she’s entering menopause.]

Tillamook, part 17

Remember yesterday when I wrote I have more to write? In the IV Room at DayJob today I realized those 1100 words are shit and won’t work in the story flow. I’ll try again this weekend.

That means I’m going to dump what I have on you and hope I can lay down another 2000+ words this weekend. Not likely as I’ve got to pdf format “A Texas Naval Affair” for Createspace. So much to do; so little time. There may be another bunny with a pancake on its head.

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Tillamook, part 11

“In war, everything is simple. But the simple things are hard.” ~ Clausewitz. This was a part of his discussion of the idea of friction in his tome, “On War.” I’ve long been aware of the idea and have run up against my share of friction now and again. And now is again another time. My Lenten commitment was to post something daily, preferably content. Except for the bunny with a pancake on its head I think I’ve been keeping up pretty well.

However, my copyedit of “A Texas Naval Affair” is back and my cover designer is about 60% complete. If I want a proof copy in my hands by Easter, then I must spend time this weekend implementing the edits and inserting maps and family trees for my next book. That means I will not be able to see to “Tillamook” as closely as I want. I do have an idea for another podcast, so perhaps I can toss that out on Sunday.

Having said all that to say this: thanks for reading and following along. All of this friction is one of the reasons I am cutting my DayJob hours. What I need now is time, not their wages.

PS A free, signed hardcopy of any one of my books to the first person in this post’s Comments who identifies the source of Gil’s “three handed logic.”

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Tillamook, part 8

Is this turned up to eleven? No, not yet, but I’ve twisted the knob and know the boil is coming. We glimpse another of Gil’s kids but this is a man in a hurry to get critical information up and out as soon as possible, even in their quiet little coastal village.

Interesting that the mayor was not really surprised by all this. What does he know? And who told him?

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